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Louvre
Jerome Leon Photography
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Site France |
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I use to shoot with an "old" DSLR Nikon D100 and prefer to switch my shots into B&W or sepia in order to see more volumes and curves instead of disturbing colors.
The main part of my work is done in the street of Paris. Cause there is too much things to capture and moment to keep, but anybody could have the same feeling anywhere.
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Red Cloud
Dwain Snyder / Equestrian Images
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United States |
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We specialize in the following services:
... Editorial and Commercial Location Photography
....Unique Portraits of your Favorite Equine at Home
....Exceptional Graphic Design within the Equine Industry
....Wedding Photography
....Fine Art
Please visit our website to view our many galleries.
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Impressionistic Springtime
Dubi Roman Impressionistic Photography
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Israel |
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Dubi Roman
has always loved Impressionist painting. He sought a way to express an
Impressionist vision of nature through photography - to see things in
terms of light. Dubi Roman not only captures the play of light in the
fields and forests; the shimmering images of a physical landscape. His
works also suggest a different light. The stretches of wild flowers in the
wood, the dark trunks of trees, are suffused with a more mysterious light;
a spiritual radiance emanating from Nature.
This mystical light can be traced to Dubi Roman's roots in Safed and the
Galilee. Born in Haifa in 1957, his father's family has lived in the
mystical city of Safed in the Upper Galilee for five generations. His
grandfather Yitzchak Roman was a Safed artist and sculptor. Although Roman
lives in the city, he constantly escapes to Nature for sustenance. As is
evident in his work, he particularly loves the forests. And yet his
purpose is not simply to portray Israeli scenery, but to go beyond the
specific place to the universalism of nature. To achieve serenity of
spirit, the harmony he has been seeking all his life.
As the Impressionist painters went out of their studios to paint Nature,
Dubi Roman achieves his surfaces, not primarily by manipulation of the
image in the darkroom, but in the very act of taking the picture outdoors.
The first exposure is taken slightly out of focus, and is followed by a
second shot from a subtly different position. "A tiny movement of the
body, and I can capture nuances that change the entire reality," says
Roman. "I can never entirely predict the final image. Many elements come
together. Many gates are opened."
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