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I reject the description of the style
of my painting as
photorealistic. I make no attempt to duplicate a photograph. Although there can
be a valid artistic point in doing this, it is decidedly not my point. I attempt
to communicate a reality or rather an illusion of actuality, as perceived by the
eye and mind that is more intense, more concentrated than that which can be
captured by the camera and lens alone. I also attempt a more honest portrayal of
what is real than can be than produced by the simple photograph. Since many of
my paintings are purely conceptual, existing originally only in the imagination,
or as a distillation or manipulation of many separate scenes that may exist, did
exist or I think existed, the charge of �merely� duplicating a photograph is
particularly galling. By representing the finest detail in paint I attempt to
foster the illusion, (or foist the illusion), to give a perceived concrete
existence to a pure product of the interpretive imagination. The sometimes
excruciating detail is fundamental to the intended impression, a sleight of hand
(or eye), where we are perhaps distracted by the minutia, enamored of it and
thus lulled into a forgetfulness that the whole is artifice, an elaborate
construct that takes on a life entirely its own, an exaggerated reality so real
that it seems dream-like, a dream more real than waking.
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Irish Dream
Oil 24 x 30
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Today her commissioned works include freehand oil portraits, landscapes and pottery. She has been specializing in the production of Quaich, traditional Scottish drinking vessels, made for whiskey, out of clay. Throwing and handbuilding clayworks are new and exciting explorations for Timmy, and yet, she continues to feel her way through the designing of Tartans and Plaids, in oil on canvas (a process she begin in 2004) and painting the landscapes of Rural Hill in Huntersville remain a special treat for her senses.
All her works are truly inspired from within.
Timmy received the Master Artist degree (1993) and the Photographic Craftsman degree (2000) from the Professional Photographers of America (PPA) because of the excellence of all her creations. She is a Fellow of the Professional Photographers of North Carolina, a Fellow and Past President (1993) of the Carolina Artisans Guild and is a member and Past President (2002) of the Charlotte Art League. Her oil portraits and artworks are hanging in many fine homes and corporate offices throughout the Southeast. |
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The Patriarch
Oil on Canvas
30 " x 40"
$3,200.00
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Bonnie Hamlin has participated in
numerous group and one person shows, taught art to children, given watercolour
workshops, and workshops for teachers on teaching art. Hamlin has given
talks on art appreciation and drawing from ones imagination. She has worked part
time at commercial freelance art, which included illustrating for children's
authors and doing cartoons for rural newspapers. Hamlin now paints full time,
working from her studio in the Manitoba Interlake Region.
Hamlin's knowledge of art is a
life long learning experience as she continues to add to her extensive library
of art books. She has also attended workshops with leading artists, Zolton Szabo,
Clarence Tillenius, John Banovich, and Greg Beecham. She studied Art
appreciation at the University of British Columbia, attended the Forum Art
Institute in Winnipeg and obtained a BA from the University of Manitoba.
Hamlin's extensive art
knowledge base is evident in the depth, mood and movement in her paintings and
the life she brings to her subjects.
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