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Articles For Singers - Developing A Good Singing Tone


 


Articles For Singers - Developing A Good Singing Tone



Developing A Good Singing Tone:

Singers commonly pursue a good mix of chest and head voice to obtain a good singing tone. Even thought we have talked about singing in mixed voice in prior articles, there still seems to be a lot of misunderstanding concerning this topic such as depth of the resonance and balancing tonal brilliance.

Blending both the head and chest voice is a main cause of frustration and confusion for the majority of aspiring singers. Nevertheless, once you begin to grasp how your singing voice works, the mixing of the vocal colors will become automatic and as easy as speaking with expression.

It is a proven fact that once you are capable of blending both tones of the head voice and chest voice you will start to sing with a greater deal of passion and emotion, simply because you will know how to produce a good singing tone that conveys the emotions and feelings of the song that you are singing. This is when you are truly singing with feeling and passion.

It is well know among singers that singing in head voice when correctly supported has a very brilliant ringing tonal characteristic to it when compared to the tone that is created by singing in chest voice .The brilliant tone that is created when singing in head voice originates in the cavities behind and above the nose, also referred to as the mask area.

An unsupported head voice has a tonal resonance that is extremely different and is characterized by a weaker sounding tone know as falsetto. Oddity enough this happens when a singer abruptly switches into a choirboy tone.

The structure of your resonators has a great deal to do with how your singing voice ultimately sounds. That is the reason that you can listen to a lot of different singers with high singing voices and each one of them will poses their own unique vocal quality.

Try this simple experiment to feel how the different parts of your head resonate. Make sure that you are in a place that is quiet; now take one finger and gently tap on the bone that is between your nose and upper lip. Listen for the light sounding thump that is produced. Now take the same finger and tap the bridge of your nose, after doing that tap your forehead immediately below your hairline listening to the thumping sound that is produced.

Could you hear how the thumping sound that is produced got higher in pitch as you moved up from your lip to your forehead? If you have performed this experiment, then you know for certain that different bones produce different pitches.

When singers talk about singing in chest voice or chest resonance they are taking about vocal tones that have a deeper and mellower quality to them. However the term �singing in chest voice� is a bit of a misnomer, because according to the dictionary definition, an efficient resonating chamber is a hollow place that is made up of a hard surface. However, the chest contains a lot of organs, which make it unsuitable for amplifying singing tones.

Contrary to popular belief the deeper and mellower tones are actually produced in the throat and mouth where there is a lot of empty space for amplification by the vocal cords and not in the chest. Nevertheless, you can feel a distinctive vibration in your chest when you are singing, particularly in the breastbone or sternum area. This feeling of vibration in your chest area can be used very efficiently to even out the higher notes and produce a good tone.

Singing in mix voice or head and chest voice is the healthiest way to sing and produces the best singing tone. If you want to develop a good singing tone then you should get the proper vocal exercises that will teach you how to properly sing with a blend of head and chest voice.

For more information about singing in mix voice click on the following link Mastering Mixed Voice.


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